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Information on borders coupon book, coupon books, borders books coupons, borders movies coupons, borders music coupons, printable coupons, coupon book resources, coupons and gifts, discount coupons, gift cards, coupon email alerts.

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Anna Josephs is a freelance journalist having experience of many years writing articles and news releases on various topics such as pet health, automobile and social issues. She also has great interest in poetry and paintings, hence she likes to write on these subjects as well. Currently writing for this website Borders Coupon Book. For more details please contact at annajosephs@gmail.com

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Acoustic guitar bodies come in basically the same hourglass shape, with some variations, but they do vary in size, color, wood-type, style, and extra features. You can even buy an acoustic guitar so small that fits into a hiking backpack.

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Knowing how to choose the right guitar and how to identify a bad one, will save you from countless headaches, not to mention finger aches.

Acoustic guitar bodies come in basically the same hourglass shape, with some variations, but they do vary in size, color, wood-type, style, and extra features. You can even buy an acoustic guitar so small that fits into a hiking backpack.

Guitars come in a very wide range of prices, but when it comes to instruments, in general, you get what you pay for, especially when you buy new. There’s a real difference between getting a bargain and buying cheap.

But whether you buy new or used may be determined by many personal factors including your budget, and each has their own pros and cons.

Buying new, gives you a warranty and, hopefully, a return period, if for some reason you’re not totally satisfied with your purchase, or something goes wrong.

Under ‘usual’ circumstances, a used guitar can usually be purchased cheaper and has already gone through its “break-in?period.

Commercially built guitars are usually mass manufactured. “Custom-made?guitars are exactly that. They are custom built and tailored to your specifications by a highly skilled guitar maker.

Prices for a custom-built guitar vary considerably, depending on the skill level of the craftsperson you contract the job to, but, as a rule, they are generally quite higher than a commercially built guitar of “similar?quality. Each custom built guitar is unique and therefore hard to compare in price to a commercially built guitar.

FOR THE “TECHIES”

Understanding some of the parts of a guitar will definitely help you when it comes to the Pre-Purchase Checklist.

BODY: This is the part with the sound hole in the front. It is where the strumming is done, and it can vary in size. The actual size, shape, type of wood, coating, and general build of the body also affects how the guitar will “sound? whether it’s a rich and warm sound, or a thin and ‘twangy?sound. The body tends to be the part that also gets scratched, damaged, and generally banged-up the most.

NECK: This is the long piece extending from the body and ends at the ‘head?of the guitar where the ‘Tuning Heads?are, also known as ‘machine heads? The strings travel from the ‘Bridge?on the body, across the sound hole, along the ‘Fret Board? which is attached to the front-side of the neck, and finally arriving at the tuning heads where they are wrapped around tuning posts. The tuning heads are then turned by hand, which then turns the posts, making the strings tighter or looser, thus affecting their ‘tuning? Necks tend to warp and twist if not looked after, or if the guitar is left propped against a heat source.

BRIDGE: The Bridge is normally located on the front of the body, by the sound hole, and on the side of the hole opposite to the neck. The strings are usually fed through the bridge first before they cross the hole and travel up the neck to the tuning heads. The bridge is like an anchor-point for the strings. Metal bridges are best, but on most acoustics they are either hard plastic or wood. Bridges have a tendency to crack and split over a long period of time.

FRET BOARD: The fret board is glued to the front of the neck. This is the part you press the strings onto to make chords or play individual notes. Because it’s glued on separately, a fret board can be made of a wood that’s different from the neck.

The strings travel over the fret board and the distance they are above the fret board makes a difference to the playability of the guitar. If the strings are too far above the fret board, then they will be hard to press down, making the guitar hard to play.

When a beginner plays a guitar, initially his or her fingertips are very soft and need to be hardened. A guitar with the strings too far above the fret board, also known as having a ‘high action? will cause the player’s fingers to hurt so much that they are likely to put the guitar away in discouragement and possibly stop playing altogether.

STRINGS: Acoustic guitar strings, come in a wide variety of ‘flavors? They can be made out of nylon, brass, steel, or a combination. Nylon strings are usually only found on Classical guitars and Student guitars, because they’re easier on the fingertips. They have a rich, warm sound to them.

Strings sets come in different ‘weights? or sizes. Strings that come from a package marked ‘Heavy?are usually quite thick in size and sound “beefy? Strings that are light, or extra light, are very thin and usually have a brighter sound to them, but are also quieter sounding than heavy strings.

String choices are purely personal taste. Light strings are easier to press than heavy strings but also sound quite different. The more often strings are played, the dirtier they get. If a cloth isn’t run over and under them, from time to time, the sound becomes very dull

THE PRE-PURCHASE CHECKLIST

- Before you buy a used guitar, cost-compare against the price of a new one, unless the guitar is quite old. You could also compare its used price to other used prices by going to an online auction and either searching for the same or a similar guitar.
- Check the overall condition of the wood for cracks, scratches, splits, dents, chips, etc.
- Also check the lacquer finish for cracks and splits.
- Check the neck/fret board for warping and twisting. You can do this by holding the guitar flat on its back, with the sound hole facing upward. Bring the guitar up to eye-level, with the neck running away from you and the edge of the body almost touching your face. Let your eyesight skim across the front of the body and down the fret board. You should be able to see if the neck is twisted or bowing.
- Tune the guitar, or have the seller tune it for you.
- If you know how to play about five or six chords then play them. If you don’t know how to play, ask the seller to play them for you. This check ensures that the neck of the guitar is not warped, even though you couldn’t physically see it. If the neck is warped, and the guitar is properly tuned, then some of the chords will sound good, but others will sound as though the guitar is not tuned. If this happens, check the tuning again. If it persists, then don’t buy the guitar.
- Check the bridge of the guitar. If it’s made out of wood or plastic, make sure it’s not cracked or splitting. The bridge needs to be rock-solid, as a lot of pressure is exerted on the bridge by the strings.
- Check the tuning heads. Do they turn easily, or are they very stiff and hard to turn. Even with the high tension of the strings, a quality guitar will have tuning heads that are fairly easy to turn.
- Check the ‘action?of the guitar. Are the strings a fair distance from the fret board? Are they easy or hard to press down at various points on the fret board?
- If you are buying the guitar for yourself, and you know how to play, even if you’re a beginner, then play the guitar.
- How does it feel?
- Is it easy or hard to play?
- Can you fit your hand around the neck/fret board comfortably to play chords?
- Is the guitar a comfortable size and shape for your body? Is it easy to hold?
- If you plan to play standing up, ask for a guitar strap.
- Do you like the sound, the color, etc?
- If you don’t play, have someone else play it for you so that you can judge what it sounds like.

WHERE TO BUY

Buying a guitar from a physical retail music store allows you to ‘test drive?the guitar and ask more questions up front. Buying online or from a catalog may bring you more cash savings.

No matter where you buy your guitar, if you know what to look for, and spend a little extra effort in your search for that ‘perfect?guitar, not only will your fingers thank you, but also your ears, and all those who will come to join you around the campfire, or even go to see you in concert. Who knows?

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When you first start learning to play the guitar you really want easy to learn guitar tunes to start with. Otherwise it is the equivelant of trying to understand German when you have only learnt the basic words.

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When you first start learning to play the guitar you really want easy to learn guitar tunes to start with. Otherwise it is the equivalent of trying to understand German when you have only learnt the basic words.

By starting with easy to learn guitar tunes you are setting yourself up for a much quicker learning curve and you will find that you will pick up learning the guitar much quicker and easier then without using tunes or songs to base your guitar skills on.

How to find easy to learn guitar tunes?

There have been many books written on easy to learn guitar tunes, usually the book is written from a guitar teachers point of view so you know you are getting great advice on how to pick and learn guitar tunes/songs.

Can I Just Learn Any Guitar Tune?

Yes you could start at any guitar tune and try to learn it, but why would throw yourself in the deep end? You are much better trying to learn an easy guitar tune then starting off on a more advanced tune.

The entire purpose behind easy to learn guitar tunes is that they focus on the basics of learning guitar which ensures that not only are you having fun learning your guitar tunes but you are also building your core guitar skills at the same time.

This will eventually lead to you playing much better guitar and having a better learning experience.

Also when trying to pick an easy to learn guitar tune it is usually best if you can listen to that tune as well as reading the sheet music. This lets you attack the songs from both angles.

1. You are learning the tune through sheet music so you are getting a feel for how to read guitar sheet music.
2. You are developing your play by ear skills which will be extremely helpful for you later when you are trying to learn the more advanced tunes.

So just remember, when you are looking for easy to learn guitar tunes don’t go for just any old tune, pick a nice simple basic tune or riff to start with and build yourself up from there.

If you practice learning tunes each day you will be surprised at how quickly you pick it up.

Final tip: Start with easy to learn guitar tunes.

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One of the primary legato techniques all guitarists must learn is the hammer-on, pull-off. This technique is important because it allows for nuances in tone and expression, and it allows the picking hand a “break?since it does not have to pick the notes on the hammer-on or the pull-off. This results in a faster progression of notes, sometimes called licks.

The hammer-on is accomplished when you pick a note and then using another finger hammer down on the same string. The …

One of the primary legato techniques all guitarists must learn is the hammer-on, pull-off. This technique is important because it allows for nuances in tone and expression, and it allows the picking hand a “break?since it does not have to pick the notes on the hammer-on or the pull-off. This results in a faster progression of notes, sometimes called licks.

The hammer-on is accomplished when you pick a note and then using another finger hammer down on the same string. The sound of the hammered note is less pronounced than the picked note. For example place your first finger on the 5th fret of the 3rd string, and the hammer down your third finger on the 7th fret of the 3rd string. Don’t use your just quickly strike the second fret position with the tip of your 3rd finger. This would be described in guitar tab as 5h7 or 5 hammer 7. Keep your first finger on the 5th fret because you are going to pull-off of the 7th fret in the next example.

The pull-off results when you release a plucked note with enough force such that the second fretted note rings. This may require a slight side way motion to create enough friction to cause the string to ring out. The sound of the pulled-off note is less pronounced since you aren’t using your pick to create it. This would be illustrated in guitar tab 7p5 or 7 pull 5.

If you combine these techniques you can create very fast note runs or licks. Imagine how this sequence of hammer-on, pull-off’s would sound when played very quickly 5h7p5h7p5. In deed the hammer-on, pull-off technique is the cornerstone for legato and most speed playing techniques.

It takes time to perfect the technique but it is worth the effort.

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A violin can be an intimidating musical instrument ?it’s beautiful to look at and listen to but a violin requires an extraordinary amount of education and discipline to be played properly. If you’re thinking of taking violin lessons but feel anxious about it, familiarize yourself with the instrument. Here’s an introduction to the art of playing the violin.

As you probably know, a violinist rests his or her chin and left shoulder on the conveniently named “shoulder rest?o…

A violin can be an intimidating musical instrument ?it’s beautiful to look at and listen to but a violin requires an extraordinary amount of education and discipline to be played properly. If you’re thinking of taking violin lessons but feel anxious about it, familiarize yourself with the instrument. Here’s an introduction to the art of playing the violin.

As you probably know, a violinist rests his or her chin and left shoulder on the conveniently named “shoulder rest?of the violin and sounds the instrument by plucking the strings and/or drawing a bow across them. One reason a violin is so much more difficult to play than a guitar or other stringed instrument, is there are no frets. A violinist must finger a string ever so precisely.

A violin player uses his or her left hand to pluck the strings; beginners might want to put pieces of tape on the instrument to show where notes are located, so they can place their fingers in the correct spots. Moreover, for purposes of learning proper hand placement, a person’s index finger is labeled ?,?and his or her pinky finger is as expected, ???in most instructional booklets, the notes to be played are accompanied by numbers for suggested fingering. There are then various positions of your left hand that you will learn; you will most likely start at first position.

But what do you use your right hand for? And what about the bow? Basically, your left hand creates the pitches, while your right hand or bow is responsible for the tone, rhythm, dynamics, and articulation of the music.

Once you understand how to read violin music, you can then learn all sorts of ways to pluck the strings, as well as multiple bowing techniques. Soon enough you’ll be ready to experiment with the different styles of music, like classical, jazz, and folk (or fiddling).

Learning to play the violin is a rewarding hobby. Lots of people can play the piano, and even more can play the guitar. But how many people can say they are a violinist?

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Microsoft has not been exactly forthcoming with specifications of future Zune devices but they have unveiled hints that intrigue the public and encourage tech enthusiasts to keep an eye on Redmond in the future. Although Microsoft has made some mistakes during the Zune launch no one has completely discounted their efforts and what Zune means to the portable device market.

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Microsoft has not been exactly forthcoming with specifications of future Zune devices but they have unveiled hints that intrigue the public and encourage tech enthusiasts to keep an eye on Redmond in the future. Although Microsoft has made some mistakes during the Zune launch no one has completely discounted their efforts and what Zune means to the portable device market.

Just as Microsoft released their Zune MP3 player, the company confirmed the rumors spreading over the tech industry that they are preparing a lineup of devices that would compete with almost every existing handheld player on the market. According to Microsoft, their future technological innovations would connect home, office and automobile audio-visual systems and enable users to experience multimedia entertainment at their fingertips. It’s their Live Anywhere Initiative and the Zune family of devices appear to be the "Anywhere" component.

The trademark of Zune, which filed documents describe as a “family of multimedia devices” rather than one product, draws quite a bit of attention from many handheld enthusiasts and critics. Many bigwigs from the industry opined that Microsoft is having a “risky game” with existing multimedia devices, threatening them all as the company develops new devices under Zune trademark that would integrate functionality that are offered by separate portable devices nowadays. Many are concerned with Microsofts abandonment of their previous market endeavors such as the Plays4Sure program. Microsoft defends their position by claiming they plan to support both Zune and Plays4Sure as two seperate programs. The Zune devices will allow Microsoft more control over the device design and upgrade progresssion.

The Zune system’s trademark documents submitted to Federal Communications Commission (FCC) expose that one of the future features of Zune family would be electronic games. This means that Microsoft intends to have their own product representation in handheld games industry that is currently dominated by companies such as Sony and Nintendo. The software giant’s confidence on their handheld game device venture is strengthened by the success previously realized by their own Xbox – as you may remember, it became the world’s number two game console when it was launched – surpassing the game entertainment veteran, Nintendo. A Microsoft portable game player has been discussed since the beginning of the Xbx was introduced and many have looked forward to the "Xboy" for quite some time. Many in the industry have high hopes for the Zune game player and there is no longer doubt that one is being planned, the only speculation left is what will a Zune gaming device do?.

Microsoft has partnered with several big companies to develop future Zune devices. With the information leaked in the filing of device prototype at FCC from a consortium involving Microsoft, it revealed that their current partners are Intel, Dell, Phillips and HP. Rumors were confirmed by Microsoft and its partners that they are currently working on a smart phone dubbed the “Zune phone.” Though the company did not confirm that their new Zune device is aimed to compete with Apple’s iPhone that will be launched on June 2007, they said that it would be available on the holiday season of the same year. The revelation of the Zune and iPhone would potentially stir telecom companies as these new products take advantage of wireless VOIP. Wireless VOIP would be attractive to public because calls are generally cheaper because they are routed through the Internet.

“Microsoft is getting involved with everything” would seem true statement when other Zune devices scheduled for release. The company’s greater cross-platform ambitions apparently would strike existing handheld manufacturers and encourage them to undergo massive re-strategy either to keep their dominance on their market or to protect their product’s existence. As these competitions push technological development and innovations more rapidly, it is clear that Microsoft is trying to steal the crown from companies as they join the handheld battle of the fittest.

The only question that remains is that if the software giant will be able to realize their plans. While future Zune devices will not immediately materialize, people involved in the industry have plenty of time to wait and see – and it begins with the Microsoft’s first Zune device. Microsoft’s attempt to topple down Apple’s market-leading iPod is merely the beginning of a long, exciting battle in the portable player market.

This article was published using Article Submitter

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I’m sure you’ve heard that it is incredibly useful to practice with a metronome. Most books and teachers make it abundantly clear that using a metronome is a great way to improve your timing. This is true. But did you know that there are other HUGE benefits to using a metronome? Let’s take a look at a few now…

***Goal Setting***

It’s been proven time-and-time again that goals need to be specific and measurable to work. If you don’t know exactly WHAT you are trying to …

metronome, fretboard mastery

I’m sure you’ve heard that it is incredibly useful to practice with a metronome. Most books and teachers make it abundantly clear that using a metronome is a great way to improve your timing. This is true. But did you know that there are other HUGE benefits to using a metronome? Let’s take a look at a few now…

***Goal Setting***

It’s been proven time-and-time again that goals need to be specific and measurable to work. If you don’t know exactly WHAT you are trying to achieve, how will you know WHEN you have achieved it?

I use my metronome all the time to help me set SPECIFIC goals for my technique development. For example, let’s say that you would like to increase the speed at which you can play a particular exercise. If you use a metronome you can set an EXACT speed for your goal. For example, you might say that when you can play the exercise using sixteenth notes at 160 bpm (beats-per-minute), then you have reached your goal. Can you see how powerful this is? The metronome setting gives you a clear target to aim for!

***Progressive Realization Of Goals***

Metronomes allow you to progressively achieve your goals. What do I mean by this? Put simply, it means start slow and GRADUALLY increase the speed of your metronome. For example, let’s say you want to get a particular lick up to 200 bpm. You could first master the lick at 40 bpm. Once mastered at this speed you could then increase the metronome speed to 42 bpm, then 44 bpm, then 46 bpm. You get the idea! You would work up to the target speed incrementally over a period of days, weeks or even months.

***Developing Listening Skills***

One absolutely vital skill to develop is the ability to play your guitar while still being able to listen to the people that you are playing with. This is especially true in jazz, where a large proportion of the song may be improvised!

Metronomes really help you develop this listening skill. As you practice you will also have to be listening to the click of your metronome. If you don’t, you will soon be playing out of time with it!

Obviously, you’ll develop this listening ability more fully by playing with other musicians, but playing with a metronome will definitely help as well. It’s a great place to start and can often can help build your confidence to play with other people.

Hopefully this article has inspired you to dust off your metronome and use it. It would also be a great exercise to think of some other benefits yourself. Practice hard and have fun!

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If you enjoy writing and recording your own music then you probably just want to concentrate on that, but it is worth taking a few steps today that can save a mountain of trouble later on.

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If you enjoy writing and recording your own music then you probably just want to concentrate on that, but it is worth taking a few steps today that can save a mountain of trouble later on.

Register your work:

If you want to get published, or even if you self publish your work, you will be sending copies to your agents, record companies, or other individuals.
Can you trust those who get hold of your work to respect your rights, or will you discover one day that your music is being passed off as someone else’s work, while you miss out on the royalties.

Having seen my own work turn up in the hands of plagiarists who have claimed it as their own, I am an advocate of copyright registration, as a means of protection, and would recommend Copyright Witness as being a very fast, efficient and secure registration service.

By registering, you place on record verifiable proof of your copyright, and this means that you can prove your copyright should the person copying your songs claims they wrote them first.
I find the cheapest and most convenient way to register is to send a whole album as a single ‘work’ (i.e. a CD containing all your songs). Registering on-line can be a little cheaper, but be sure to convert your songs to mp3s, otherwise uploading will take an age!

Mark all your work with copyright notices:

A copyright notice is simply a piece of text that states that the work is subject to copyright and the authors name, it is often followed by the phrase ‘all rights reserved’ which simply means that you withhold all rights to that work as is your right under copyright law.

A copyright notice is not required under law ?the work will still be subject to copyright without one, and the ‘all rights reserved’ statement adds nothing, (this is assumed unless you explicitly state that you relinquish some rights). So why use them? Simple: It’s a deterrent. It makes it clear to everyone that your work is subject to copyright, and that you take your rights seriously.

The standard format for copyright notices is 5 elements:

1.The word ‘copyright’.
2.The internationally recognised copyright symbol ‘?.
3.The year of publication.
4.The name of the copyright owner.
5.An optional statement of intent, (not required).
For example: ‘ Copyright ?2006 J. Bloggs. All rights reserved.’

The ?’C in a circle?is the normal copyright symbol and can be applied to most types of work. It can be found in most word processor programs under the ‘insert’ menu.

Band member agreements:

If you write songs within a band, you need to plan for the day when you will be earning royalties from your songs, and be clear what will happen if a member of the band leaves or if the band splits up.
The best way to deal with this is to all agree what is fair, and then put this in writing as a formal agreement which you all sign. This way there is little chance of any comeback if the band splits for less than amicable reasons.

Here are a few specific points you should consider:

1. If a member of the band leaves, do they forfeit all rights to the songs, and the songs remain the sole property of the band?
2. Are the songs written by one person, or a few principal writers, who wish to retain all rights?
3. If a band member leaves would both he and the band both retain a claim to the song, (this is probably the most likely option).
4. How do you determine each persons share? Do you base it on a song by song basis ranking each members input, or use the same formula for every song.
5. Do you simply divide everything up equally, (i.e. 5 members each own 20% of all the songs and therefore receives 20% of the proceeds/royalties), or do you rank each individuals input?
6. If a member leaves, can he/she perform or profit from the music outside of the band. As a example of this in ‘real’ life, Ozzy Osbourne still performs songs he co-wrote during his time with Black Sabbath.

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Mp3 encoders and converters have made it possible to rip other file formats into compressed Mp3 file format and thus large data can be incorporated into a less storage space.

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Mp3 is really a cool stuff for music lovers who enjoy and appreciate quality music. It also provides the consumer with the convenience of purchasing the music online and ripping from purchased CD’s and is also easily portable.

The popularity of Mp3 format for digital music files has exploded within the past few years whereby you can download Mp3 files from peer to peer file sharing websites and commercial Mp3 download websites and can easily play on their portable or software based Mp3 players. You can easily email your favorite music songs to your friends and relatives. These Mp3 websites supply a wide variety of Mp3 tools such as Mp3 players, music file conversion software and Mp3 downloads that enables you to hear your favorite Mp3 anywhere in the car, office or even on the beach.

If you have a huge collection of your favorite songs that you want to listen in your car audio system but you are confused as how so many files could be stored onto your 800 Mb CD? Mp3 encoder or converter is the solution to this. An Mp3 encoder is the software that uses Mp3 codec (compression and decompression algorithm) to make MP3 files. Most of the encoders convert WAV file to Mp3 format whereas many can convert other formats such as WMA to Mp3.

Mp3 stands for MPEG Audio Layer 3 where at layer 3, psychoacoustics principles are applied so as to find and remove unnecessary sound data such as the stuff human ears don’t hear anyway (sounds above 16 KHZ) and leaving only crucial data.

After the essential data is separated from the redundant data, compression takes place and at this stage, the same amount of data is stored using fewer bits and less space of the disk. Here, the bit rate is the ratio of number of bits transferred between two devices per second and the higher the bit rate ratio, the higher is the sound quality and vice versa. 192 Kb/s is the frequently used bit rate used in peer to peer networks and most of the converters use variable bit rates. This enables to get better quality of sound because bit rate conforms to the dynamics of audio frames stored and this in turn keeps more important data.

There are number of mp3 encoders and software available today such as Lame, Fraunhofer, Music match jukebox, real jukebox , Blade, Audio catalyst, GoGo etc. The use of mp3 encoding engine depends upon your personal requirements and preferences.

For more information, visit our recommended website freedownloadmp3song.info

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This article gives insight on the effects of the Detroit Soulful R and B Motown Sound, to the evolution of Street _Expression Rap / Hip Hop today.

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Growing up in the City of Detroit during the early sixties was a memorable era for music. It was a period of time whereby the unique sounding records of Motown were being played and heard throughout the streets, nightclubs, house parties and radio stations everywhere. It was common to have the soulful R and B records playing on the jukeboxes while folks were dancing in the streets or singing in the barber shops and beauty parlors to the love songs that eventually captivated the hearts of millions of people throughout the world. Music cds and rap music were not heard of during that period, it was all about the vinyl records and rhythm and blues soul.

The songs that were written by Motown songwriters during the 60′s & 70′s had so much meaning. They were songs that spoke about true love, current events and the heartache and pains of life experiences. Oh yes, Motown had it going on! Their music became universal music. Many of the soulful tunes crossed over into other markets such as pop, jazz, blues, etc?But just like George Benson said in one of his recordings “Everything Must Change? and sure enough, he was right about the music.

After giving so many years service and great music to the City of Detroit, Motown moved out and Rap/Hip Hop moved in. Instead of hearing someone singing My Baby Loves Me or My Girl, you began to hear new sounding lyrics of street experience expressed in rhythms with the mouth, chest, hands and feet as such had never been heard before.

This new sound called Rap evolved in the early 80′s and took off as a sky rocket in the late 90′s and New Millennium as Hip Hop/Rap. Even today Rap/Hip Hop music is still a multi billion dollar genre. Millions of cds, videos and dvd’s are sold each year in the Hip Hop genre of music. And there is no sign that Hip Hop will be slowing down or taking a back seat to anyone anytime soon.

So what happened to the Motown sound? did it die out? No! The Motown sound will never die out. It will always play a significant part in the hearts of millions who embraced it’s sound back in the early 60′s, and continued to pass that sound on to their children throughout the 70′s, 80′s and 90′s.

Sometimes you just have to move over and let the new kids on the block have a turn in expressing their musical talents, songs and ideas. That’s what Motown did…moved over-not out. And now the Hip Hop artists are not the new kids on the block anymore, for they have taken their position to express themselves musically, just like the rhythm and blues artists took their position to express themselves in the Motown era.

That’s how we’ve gone from Motown to Hip Hop!

Written by: Michael Bell

?006 Michael Bell

http://www.buymusicfromus.com